Mario Dilitz
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Open a larger version of the following image in a popup: Mario Dilitz, No 214, 2024
Open a larger version of the following image in a popup: Mario Dilitz, No 214, 2024
Open a larger version of the following image in a popup: Mario Dilitz, No 214, 2024
Open a larger version of the following image in a popup: Mario Dilitz, No 214, 2024
Open a larger version of the following image in a popup: Mario Dilitz, No 214, 2024
Open a larger version of the following image in a popup: Mario Dilitz, No 214, 2024
Open a larger version of the following image in a popup: Mario Dilitz, No 214, 2024
Open a larger version of the following image in a popup: Mario Dilitz, No 214, 2024
Open a larger version of the following image in a popup: Mario Dilitz, No 214, 2024

Mario Dilitz

No 214, 2024
Walnut with black glue
96 x 98 x 38 cm
num.+sign.
Unique Variant (suite of three, closed) — No. 1
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The horse, alongside humans, is the ultimate subject for sculpture. It is a symbol of timeless fascination for artists, and every serious sculptor should dedicate time to exploring this theme.
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The horse, alongside humans, is the ultimate subject for sculpture. 
It is a symbol of timeless fascination for artists, and every serious sculptor should dedicate time to exploring this theme. 
 
As with my human sculptures, my goal was not to create a perfect likeness. 
Instead, I aimed to capture the essence purely from memories and impressions, without relying on models or books. 
This approach, combined with the necessary experience and maturity, 
seeks to create a seamless unity between humans and horses, grounded in my own consistent architectural and formal language.


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